The Country of Pointed Firs Essay -- Literary Analysis

The Country of Pointed Firs transcends the boundaries of a traditional story in attempt to grasp the realism of the country embellish in a more(prenominal) generous form. The book contains little to no drama, but instead focuses on description of dialect, landscape, and gesture. The narrator meditates upon the unchanged time of Dunnet Landing to describe the quality of landscape and permanence in scenes of country life. Her trip serves as a revaluation of continuancea fixed pattern of social order and existence within the village community. Furthermore, the narrators outsider perspective justifies the practice of defining characters in external conditions. The Country of Pointed Firs is written in local food colour containing character portraits and genre scenes. topical anaesthetic color, in a signified, is a miniature form of literature in which the writer works with anecdote and caricature. Incidentally humor derives from occurrences of real life. The local color form is app ropriate to the nature of the narrators experience of country life in Dunnet Landing. Jewetts art of perspective informs her pictorial style with a deeply refined sense of texture. The reader is made to feel the narrators final judgments in the closing chapter of The Backward View, which states an end of the narrators return to Dunnet Landing. The concluding scene is a moment of farewell in the midst of the narrator and Dunnet Landing as she stands at the crossing of two pathsthe village life and the city to which she must return. The narrator sits upon a hill and oversees her surroundings, closely discover Mrs. Todd whose distant figure looked mateless and appealing (129). Mrs. Todds attitude of sorrow and isolation reveals deeper insights into her character. Though Mrs. Todd earlier ... ...n Mrs. Todd came back and found her lodger gone. So we die in the first place our own eyes so we see some chapters of our lives come to their natural end (129). The closed and quiet summer o f village life has come to a swift end. The narrator departs as the tide sets in, leaving Dunnet Landing in its air of isolated stillness. The narrators precise observations allow the reader to find insight in small moments of village life. Jewett presents a world seemingly unchanged with a mixture of remoteness and a childish certainty of being the center of elegance (1). The narrators nostalgic recount of village life has about it the mood of a dream, a life remembered and not put down until long afterwards. Jewetts pictorial conventions name a feeling of impermanence akin to nostalgia assembled into long, gracefully rambled sentences authenticating her own regional style.